No, they are using the DJI camera for broadcast video, I've seen it and it's great. Where's the Solo with live HD feed broadcasting from a GoPro on National TV? In your dreams.
I'll do one much better.. The GoPro's are used on many Features, Commercials and Episodic TV seamlessly intercut with Alexa and Film Footage. You won't see them advertising the GoPro in the credits because GoPro doesn't pay the producers to use the camera. The Crew uses the camera because it's the best option for it's format.
Your lack of understanding is obvious since your using the fact that GMA used the inspire in product placement intercut with
Studio Broadcast Cameras.. on Peds Those cameras alone are inferior in image quality when comparing to a camera that is used to shoot pre canned footage like an Alexa, Red or Film...
Here...
Philip Bloom helped to put DJI on the map with the professional photography crowd... He has done reviews with every single camera including the Hero3+, P3P and the Inspire. DJI pays him to review the cameras and professionally grade and edit the footage for online marketing...
He just recently won an award at the New York Drone Film Festival for his work he did while on a personal vacation in Thailand. His piece was shot on a Phantom2 with a GoPro Hero 3+, not even a Hero4 Black..
See the link..
https://vimeo.com/philipbloom/kohyaonoi
Notice the color grading. It's natural tones and great contrast can be manipulated to a large degree because the Gopro has an enormous amount of dynamic range when shot in raw mode. This gave him the control needed to make this footage look like it was shot on anything but a gopro. The footage is smooth, there are no apparent compression artifacts. The footgae is not too sharp, to look like a digitized piece. It has good gradation in the contrast. In a nutshell it looks like footage we might see on a feature film or in fine art cinematography. Oh, and most of the above footage was shot with the fisheye corrected in AE. He uses the Fisheye to his advantage, helping him to get more impact out of the foreground objects.
Now he was also sent a Pre Production P3P to review for DJI. He was tasked with professionally shooting, editing and grading the footage from the P3P to help market it.
See Link
Now of course it was a Pre Production P3P, and things have improved a bit before they shipped you yours.. But the overly digitized post sharpening that hides the inherent optical sharpness still exists, so does the lack of dynamic range which is covered up by a flat color grade and most importantly and the hardest thing to get rid of in post is the large amount of high resolution compression artifacts that make the image look like it's crawling with little tiny insects in the midtones and shadows.
Show the two pieces to any professional photographer and the answer will be they like the
GoPro footage better.