The photo you show here is just a photo not a still taken from a video.
It's bloody obvious from the image size and aspect ratio.
Ok, it's still processing and I would ask you to wait until the 4k is up.
Now keep in mind the GENERATION LOSS. Right out of the bird we are at h264 from a hardware encode. THEN, I export out of Avid for YouTube so it doesn't take a million years to process. THAT takes the quality down a ton. The first generation loss from RAW to h264 (in the MOV or MP4 container DOES NOT matter other than interoperability) and what you get out of the bird is ALMOST the best the camera can offer as the h264 codec is not LOSSLESS but it is not considered "LOSSY" like some codecs. With the right settings, you can get a near perfect image on the first generation of h264 HOWEVER, on the second generation (out of the editor, in this case Avid Media Composer) and then YET AGAIN when it processes in YouTube, it goes through a THIRD generation loss. At this point, the quality of the image, to the trained eye, is far from good, to decent, to crap. Right now, I see this, my video, and I see nothing but crap. This video first of all wasn't taken to test video, I was messing around with the avoidance and the blades make their way in and if I am trying to make a good video, I will set the max gain for the camera tilt so the blades won't get in the video.
But here is, with the latest firmware and app upgrades, 4k video shot in D-Log with -2 -1 -1 settings in the "Style" setting under custom and 24fps @ 4k video resolution. I made a fairly in depth video describing the different formats if you want to watch it, it's in my videos.
In the meantime, I just encoded this for your purposes. This is more up close than that image but this one is completely "raw" and when I say that I mean h264 and no color or any other fixes.
Please make sure to watch in 4k to see the video with the least amount of artifacts. Now I did a 60mb CBR (NOT VBR) that's a constant bit rate vs a variable bit rate which will HELP to eliminate some of the motion artifacts because when you set the motion on the camera the video encoder tries to figure out what to do with it on the fly and it never works good with a VBR. VBRs are good for keeping the size of the video down but doesn't keep the quality up. An encoder who really knows what he's doing will actually keyframe the bitrate but that's a whole other ball of wax.
This is a straight 60 CBR, 4K, D-LOG, completely unaffected video, out of the bird, into Avid, out of Avid, into YouTube, posted on Phantom Pilots for you.
PLEASE change it to 4K as it defaults to 1080p (still processing some of the video when I posted this)